She once packed 22 guns to ward off
attackers.
Now she stands proudly on the Oakland waterfront with 10 battle stars,
a lot of history and plans for a grand future packing 'em in to theater
productions, filmmaking, dancing, art shows, jazz, socializing and the
good old life of enjoying things beautiful.
She's Artship, a.k.a. the cruise ship DelOrleans, attack
troop transport USS Crescent City and training ship Golden Bear. She
stands today at the Ninth Avenue pier at the intersection of Oakland's
revitalized waterfront and its renaissance of the arts.
In previous lives, she hauled coffee and passengers between New Orleans
and South American ports on the Atlantic, fought with U.S. forces in the
Pacific and then helped train the officers of America's maritime fleets.
Now, as an elder, she is evolving with a new life as a floating
performing arts center and a symbol of the new Oakland.
``You need something that is as big as a cathedral to make the city
come together,'' said Slobodan Dan Paich, executive director of the
Artship Foundation, who once taught architecture at the University of
California-Berkeley.
You can't miss the giant ship tied to the Ninth Avenue pier.
Artship was once one of the ghosts with the Ghost Fleet in Suisun Bay,
where America stores part of its reserve fleet. It was called back to duty
in 1999 and towed to a new home on the Oakland waterfront, becoming part
of the waterscape seen by motorists zipping by on nearby Interstate 880.
The ship is right in the middle of the 19 miles of Oakland waterfront
undergoing renovation. The waterfront used to be mostly off-limits to the
public, since most of it was military bases. Now the Port of Oakland has
doubled in size, adding to its 665 acres 520 acres of former naval
property. Construction of new piers, container ports, parks, parking lots,
trails and apartment buildings is ongoing.
At the same time, Oakland's city government and its artists have been
working to blend what critics have called ``offbeat arts, button-down
government.'' The arts have been injected into recreation programs, parks
and community centers, and downtown Oakland is an art gallery buff's
dream.
The Artship Foundation has been instrumental in getting local art into
storefront windows throughout the city.
At the intersection of these two trends sits the Artship.
It is already an art gallery and studio. It's used for children's
shows, dancing, music, rehearsals, study, writing, planning and
filmmaking.
But it is only at the very beginning of an ambitious 10-year plan that
will transform it into one of the Bay Area's prime venues for art, music
and the performing arts. Its three giant cargo holds will become
seven-story theaters.
$10 million project
The 491-foot-long ship will also become a training
center and headquarters for community outreach and art programs run by the
foundation and other art and cultural organizations. The cost of the
ambitious project is about $10 million and will be paid through grants,
donations, Silicon Valley benefactors and a planned marine apprentice
training program for the U.S. Department of Commerce.
That program, foundation board member and artist TheArthur Wright said,
could bring in an annual income of $1 million.
The ship already is configured as a maritime school, since its last sea
duty was as the officers training ship Golden Bear with the California
Maritime Academy in Vallejo.
The plan is to train ship crews, targeting Oakland high school
graduates. Other education programs also will be based at the ship.
Besides its role in the arts and education, the ship is an art deco
museum, a tribute to its past life as a luxury ship with accommodations
for 69 and, in World War II, as an attack troop transport with
accommodations for 1,100.
With coffee brimming in its three holds, the ship carried passengers on
the New Orleans-South America run until it was drafted in 1941 as a troop
transport.
A week after the Japanese attack on Pearl Harbor, the ship,
commissioned as the USS Crescent City, sailed for Hawaii with troops and
equipment.
In 1942, the Crescent City's gunners shot down four fighters as it
landed U.S. forces on Guadalcanal. She fought her way through the war,
landing troops or serving as a hospital ship in 10 battles from
Guadalcanal to Okinawa.
She still carries at least one scar from the war.
``Here,'' Wright said when he gave me a tour of the old lady. He was
pointing to a dent on her smokestack. ``This is the only scar I've seen.''
Artistic
fermentation
As Wright walked across the deck with a view of the
Coast Guard's Government Island, the estuary and the San Francisco skyline
in the background, he gave me a tour of the future. ``This is the cafe,''
he said. ``Here are the patio tables, the lounge chairs, the trees.''
We had just finished a tour of the ship where artists are already at
work in the staterooms and the cargo holds.
All over the ship are paintings, sculptures, rooms full of plans and
drawings, art fabrics and even large puppets for a children's show.
``It might not look like much, but there is a lot of fermentation going
on,'' Wright said. ``You can see the dream happening.''